讲座及工作坊

本次讲座特邀泰国当代舞蹈家皮歇·克朗淳（Pichet Klunchun），分享其作品《No.60》的编创历程与艺术思考，深入探讨传统与当代在舞蹈中的交汇可能。

活动时间：2026年9月4日 19:00-20:00

活动地点: 上海国际舞蹈中心·大剧场前厅

活动嘉宾：

皮歇·克朗淳（Pichet Klunchun）是一位享誉国际的泰国编舞家、舞蹈家。自16岁起，他师从孔剧大师Chaiyot Khummanee。2010年，他创立了Pichet Klunchun舞蹈团（PKDC），在保留泰国古典舞蹈哲学深度与精神内核的同时，架起泰国古典舞蹈与当代表演之间的桥梁，发展出一种独特的编舞语言。编舞作品《黑与白》《与死亡共舞》《No.60》等常年于亚洲、欧洲及北美各大艺术节与剧场巡演。

Talk: The Creation of No. 60

This lecture will feature contemporary Thai dancer Pichet Klunchun to share the process of creation and artistic thoughts on his work No. 60 and delve into the potential intersection of tradition and modernity in dance.

Time: 2026.09.04 19:00-20:00

Location: Shanghai International Dance Theatre

Speaker:

Pichet Klunchun is an internationally renowned choreographer and dancer from Thailand. He has studied under Khon master Chaiyot Khummanee since the age of sixteen. In 2010, he founded Pichet Klunchun Dance Company (PKDC) and has developed a unique choreographic language by preserving Thai classical dances’ philosophical depth and spiritual core, meanwhile bridging Thai classical dances and contemporary performances together. His choreographic works Black and White, Dancing with Death, No. 60, etc. go on tours throughout the years between theatres and Art Festivals all over Asia, Europe and Northern America.

本次工作坊将由皮歇·克朗淳与孔坎·朗莎旺（Kornkarn Rungsawang）共同带领，参与者将亲身感受皮歇·克朗淳的舞蹈理念与身体训练方式，在互动中探索传统与当代的身体表达。

活动时间：2026年9月6日 15:15-16:15

活动地点: 上海国际舞蹈中心·排练厅

活动嘉宾：

皮歇·克朗淳（Pichet Klunchun）是一位享誉国际的泰国编舞家、舞蹈家。自16岁起，他师从孔剧大师Chaiyot Khummanee。2010年，他创立了Pichet Klunchun舞蹈团（PKDC），在保留泰国古典舞蹈哲学深度与精神内核的同时，架起泰国古典舞蹈与当代表演之间的桥梁，发展出一种独特的编舞语言。编舞作品《黑与白》《与死亡共舞》《No.60》等常年于亚洲、欧洲及北美各大艺术节与剧场巡演。

孔坎·朗莎旺

孔坎·朗莎旺（Kornkarn Rungsawang）是一位泰国古典与当代舞蹈艺术家。她出生于泰国传统民间表演世家，精通从宫廷舞蹈到当代身体语汇等多种泰国动作体系。她担任Pichet Klunchun舞蹈团长期演员，同时也进行独立创作。她的创作聚焦于泰国古典语汇的当代诠释、性别平等与女性作者身份，作品展演于多个亚洲国际平台。

Workshop: Dance with Pichet Klunchun

This workshop will be lead together by Pichet Klunchun and Kornkarn Rungswang, allowing the participants to experience Pichet Klunchun’s notion of dance and methods of body training on their own and investigate both traditional and contemporary ways of expressing bodies through interactions.

Time: 2026.9.26 15:15-16:15

Location: Shanghai International Dance Theatre Rehearsal Zone

Workshop Leader: Pichet Klunchun & Kornkarn Rungsawang

Pichet Klunchun is an internationally renowned choreographer and dancer from Thailand. He has studied under Khon master Chaiyot Khummanee since the age of sixteen. In 2010, he founded Pichet Klunchun Dance Company (PKDC) and has developed a unique choreographic language by preserving Thai classical dances’ philosophical depth and spiritual core, meanwhile bridging Thai classical dances and contemporary performances together. His choreographic works Black and White, Dancing with Death, No. 60, etc. have been on tours throughout the years between theatres and Art Festivals all over Asia, Europe and Northern America.

Kornkarn Rungsawang is a classical and contemporary dancer from Thailand. She was born in a family of traditional folk performing art and is proficient at various types of Thai dancing system including palace dance and contemporary physical lexicons. She is the long-term performing artist of Pichet Klunchun Dancing Company and also writes her own works. Her works focus on the contemporary interpretation of Thai classical lexicons, gender equality and the identity of a female writer, and are exhibited and performed on various international platforms in Asia.

一出爱情故事，如何从当代生活的裂缝里长出来？

《你答应给我写个爱情故事》来自巴塞罗那贝克特剧院/国际戏剧创作工坊。它并不急于讲述一个完整、经典、浪漫的爱情故事，而是从罗马、巴黎、波兰和火车车厢中的相遇出发，把亲密关系、欲望、记忆、误解与书写本身交织在一起，追问：在21世纪，我们还能怎样书写爱情？

本场讲座将以这部作品为起点，邀请贝克特剧院艺术指导、剧目编剧，以及上海话剧艺术中心国际项目交流部负责人共同对谈。从巴塞罗那的新写作传统，到上海观众所面对的当代剧场现场，我们将一起讨论：新文本如何回应今天的生活经验？一部作品如何在不同语言、文化和观演关系中被重新理解？国际合作又如何为剧场创作带来新的问题、新的方法和新的想象？

活动时间：2026年9月6日 15:50 （活动时长预计2小时）

活动地点: 上海话剧艺术中心·戏剧沙龙

活动嘉宾：Víctor Muñoz Calafell、Helena Tornero、黄佳代

Helena Tornero

1973年生于西班牙菲格拉斯，现任巴塞罗那戏剧学院（Institut del Teatre）导演与编剧专业负责人，贝克特剧院 / 国际戏剧创作工坊（Sala Beckett / Obrador Internacional de Dramaturgia）驻场作家。她的作品以诗性语言与敏锐的社会观察见长，代表作包括获 SGAE 奖的《Submergir-se en l'aigua》、获 Lope de Vega 奖的《Fascinación》，以及歌剧剧本《Je suis Narcissiste》（获 Alicia 奖，并入围 Max 奖）。她曾参与 TV3 剧集《Ventdelplà》的编剧工作，并创立难民戏剧项目 PARAMYTHÀDES，在希腊难民营开展戏剧工作坊。其作品已被翻译成英语、法语、德语、意大利语、波兰语、土耳其语等多种语言，并在欧洲、拉美及亚洲多地演出。

Víctor Muñoz Calafell

现任贝克特剧院 / 国际戏剧创作工坊（Sala Beckett / Obrador Internacional de Dramaturgia）培训与作者关系负责人，长期致力于新文本发展、剧作家培养与国际戏剧交流。他拥有巴塞罗那自治大学（UAB）英语与日耳曼语文学学位，以及巴塞罗那戏剧学院（Institut del Teatre）导演与编剧学位，并于2006年获杰出奖。在贝克特剧院，他参与并推动多项国际剧作家网络及交流项目，包括 Fabulamundi 等，也曾主持 “Writing in times of COVID-19” 等主题对谈，持续关注跨文化语境中的当代剧场写作。他同时开设“爱尔兰戏剧全景”等理论课程，梳理当代戏剧创作脉络，并活跃于加泰罗尼亚戏剧评论与媒体平台，关注新文本的发展。

贝克特剧院简介

贝克特剧院/国际戏剧创作工坊（Sala Beckett / Obrador Internacional de Dramaturgia）成立于1989年，位于西班牙巴塞罗那，是加泰罗尼亚及欧洲重要的当代戏剧创作机构之一。剧院长期关注当代剧作、新文本写作与剧作家培养，通过演出、工作坊、驻地、课程、剧本朗读和国际交流等方式，持续推动当代戏剧文本的发展，也为不同国家和地区的创作者搭建交流与合作的平台。

本讲座由中文及英语进行。

Dialogue: Scene of the New Text: from Barcelona to Shanghai

How can a love story grow out through the facture of contemporary life?

Tu em vas prometre una història d’amor is from Sala Beckett/Obrador Internacional de Dramatúrgia. It does not rush to narrate a complete, classical and romantic love story; on the other hand, it starts from the encounters in the train cabins of Rome, Paris, and Poland, and weaves close relationships, desire, memories, relationship and writing itself together, inquiring how we can write love in the 21st ^century.

Starting from this play, this dialogue invites the Authorship Manager of Sala Beckett, the author of this play Helena Tornero, and the Programme Director of ACT Shanghai Contemporary Theatre Festival to have a discussion together. From the new writing tradition of Barcelona, to the contemporary theatre scene in front of Shanghai’s spectators, we will discuss how new texts can resonate with today’s living experience and how a work can be reperceived in different languages, cultures and audience-performance relationships, also how international collaboration can bring new issues, new methods and new imaginations to theatres.

Time: 2026.9.6 15:50 (Approx. 2 hours)

Location: Theatre Salon, Shanghai Dramatic Arts Centre

Guests: Victor Muñoz Calafell, Helena Tornero, Ophelia Jiadai Huang

Helena Tornero

Born in 1973 in Figueras, Spain, Helena Tornero is the current organiser of directing and scriptwriting programme in Institut del Teatre and a residential writer of Sala Beckett/Obrador Internacional de Dramatúrgia. Her works are known for her poetic language and sharp observation on the society, and her representative works include Submergir-se en l’aigua that was awarded the SGAE Award, Fascinación that was awarded the Lope de Vega Theatre Prize, and opera script Je suis Narcisste that was awarded Premí Alícia (the Alicia Awards) and nominated Premios Max (the Max Awards). She was involved in the script writing process of TV3 series Ventdelplà and founded PARAMYTHÀDES, which is a refugee theatre programme, and ran theatre workshops in Greek refugee camps. Her works have been translated into various languages including English, French, German, Italian, Polish, and Turkish, and have been put on stage in a number of places in Europe, Latin America, and Asia.

Victor Muñoz Calafell

Victor Muñoz Calafell is the current Training and Author Relationship Manager of Sala Beckett/Obrador Internacional de Dramatúrgia, and he has long dedicated in the development of new texts, the training of new playwrights and the communication of international theatre. He holds a degree in English and German literature awarded by UAB, a degree in directing and scriptwriting and Premi extraordinary d’Art Dramàtic awarded by Institut del Teatre in 2006. In Sala Beckett, he has taken part in a number of international networking and communication project for playwrights, including Fabuamundi, and also has hosted a few topic discussions including Writing in Times of COVID-19 and been constantly paying attention to contemporary theatrical writings under the context of interculturalism. At the same time, he also runs some theoretical courses—including Panoràmica del teatre irlandès (A Panorama of Irish Theatre)—that investigate the developmental trend of contemporary theatre creation, and he is active on in Catlan theatre criticism and media platforms, paying attention to the development of new texts.

A brief introduction on Sala Beckett

Sala Beckett/Obrador Internacional de Dramatúrgia was founded in 1989 in Barcelona, and it is one of the important institutions for contemporary theatre creation in Catalan and Europe. The theatre focuses on contemporary theatrical works, the writing of new texts and playwright training for long, and constantly promotes the development of contemporary theatrical texts through performances, workshops, residencies, courses, script reading, and international communications, also establishes a platform of communication and collaboration for creators from different countries and regions.

This lecture will be delivered in Mandarin and English.

本次活动是舞蹈剧场《皆归尘土》（After All）演出的延伸活动，工作坊将由编导/舞者 索伦·韦纳赫特（Solène Weinachter） 带领。她将带领参与者走进她独特的舞蹈剧场实践——过去12年间，她的创作始终游走于舞蹈、戏剧、叙事与幽默的交汇地带。

工作坊以“身体如何承载记忆、讲述故事、创造联结”为核心命题，灵感正来源于《皆归尘土》所探讨的生命主题。通过引导式即兴、趣味动作任务和创意练习，参与者将探索：

•身体的在场感与脆弱性

•想象力与仪式感

•用动作和声音进行自我表达

工作坊面向所有对身体表达感兴趣的人——无论你是舞者、演员、创作者，还是单纯对“用身体说话”充满好奇的普通人，都欢迎参与。无需专业舞蹈背景，只需带上专注、开放和一颗愿意玩耍的心。

休息过后，对谈环节将以更轻松开放的方式进行。索伦将与本地嘉宾一同，围绕死亡、哀伤、记忆等话题展开交流——这既是对工作坊体验的延展，也是一次观众与艺术家之间真诚的对话。对谈面向更广泛的观众群体开放（上限50人），欢迎所有对剧目主题感兴趣的朋友加入。

活动时间：2026年9月14日19:00–22:00

活动地点: 新写作超市

活动结构：实践工作坊（90分钟）+ 休息（15分钟）+ 对谈讲座（75分钟）

活动嘉宾：

索伦·韦纳赫特（Solène Weinachter）

编舞家、表演者，常驻苏格兰与法国。毕业于伦敦当代舞蹈学校，获当代舞蹈与表演硕士。其作品多次入选爱丁堡艺术节并获《泰晤士报》《卫报》等媒体四星推荐。2024年曾携《皆归尘土》亮相乌镇戏剧节“舞之剧场”。

主持兼翻译：陈芙蓉

晓年青剧团签约编剧、导演导演、编剧，“新写作超市”联合创始人，拥有丰富的话题类活动主持与跨文化交流经验。

对谈嘉宾：宁丹

律师执业律师，资深律师，拥有25年法律行业工作经验。长期从事遗嘱规划及临终法律事务的公众普及工作。

Workshop After All

This event is an extension from the dance theatre After All. The workshop will be lead by writer, director and dancer Solène Weinachter. She will guide the participants into her unique practice in dance theatre—in the past 12 years, her works have always been wandering on the intersectional zone of dance, theatre, narratives, and humour.

The workshop regards ‘how the body holds memories, tells stories, and creates connections’ as its core proposition, and is inspired by the theme of life that is discussed in After All. Through guided improvisation, fun physical movements tasks and practice on creativity, what the participants are going to investigate are:

The sense of presence and the fragility of the body

Imagination and the sense of ritual

Self expression through movements and sounds

The workshop is for anyone who is interested in bodily expressions—everyone is welcomed, no matter you are a dancer, an actor, a creator, or simply an ordinary person who is curious about the idea of ‘talking through your body’. What you should take with you is your dedication, inclusiveness and a playful heart.

After a break, the discussion will be held in a more relaxing and inclusive way. Together with local guests, Solène will carry out exchanges on topics including death, grief, and memory—this is not only an extension on the workshop experience, but also is a sincere conversation between the audience and the artist. The discussion will be opened to a wider range of audience groups (up to 50 people), and everyone who is interested in the theme of the play is welcomed.

Time: 2026.9.14 19:00-22:00

Location: New Writing Supermarket

Event Structure: practical workshop (90 minutes) + break (15 minutes) + Discussion and Lecture (75 minutes)

Guest:

Solène Weinachter

Solène Weinachter is a choreographer and performer based in Scotland and France. She graduated from London Contemporary Dance School and was awarded a master’s degree in contemporary dance and performance. Her works have been selected for the Edinburgh International Festival for multiple times, and have received four-star recommendations from media including The Times and Guardian. In 2024, she presented After All to The Dance of Theatre section of Wuzhen Theatre Festival.

Host and interpreter: Furong Chen

Furong Chen is the contracted scriptwriter of Xiaonianqing Theatre Company, also a director, scriptwriter, and the associative founder of ‘New Writing Supermarket’. Chen has a rich experience in hosting topic-based event and intercultural communication.

Panellist: Dan Ning

Dan Ning is a practising lawyer, and a senior lawyer with experience of working in the law industry for 25 years. Ning has long been engaged in will planning and public education on end-of-life legal matters.